Diaspora cultures exist as a result of the
dispersion of communities throughout the world; this dispersion is often forced
or has historical reasons. Diaspora communities represent and maintain a
culture different from those of the countries within which they are located,
often retaining strong ties with their country and culture of origin (real or
perceived) and with other communities of the same origin in order to preserve
that culture. This is an essentially cultural phenomenon and is not necessarily
linked to migration.
Some diaspora cultures, which have clear
origins and are the result of enforced dispersions, are well documented, for
example the Armenian, Greek, Irish, Italian and the Jewish diasporas and, more
recently, the Balkan diasporas. However, the majority of countries throughout
the world, and therefore most Council of Europe member states, in fact
recognise their own diaspora culture. In addition, whilst some diaspora
cultures are relatively unknown, the majority of member states are “host” to a
great number of different diaspora cultures.
New forms of cultural practice in these
societies address themselves to this project for the very good reason that, as
Fanon puts it, in the recent past.
Colonisation is not satisfied merely with
holding a people in its grip and emptying the native's brain of all form and
content. By a kind of perverted logic, it turns to the past of oppressed
people, and distorts, disfigures and destroys it.
Reference:
Frantz Fanon, 'On National Culture', in The
Wretched of the Earth, London 1963,
pl70
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